Amelia Groom

Amelia Groom is a writer whose work has often been concerned with time: its undercurrents, its blockages and trickling detours, and the possibilities for its re-routing.

Groom has taught at the Sandberg Instituut since 2014, and was a postdoctoral fellow at the Institute for Cultural Inquiry in Berlin from 2018 to 2020, as part of the “environs” research focus. Groom’s book Beverly Buchanan: Marsh Ruins (2021) was published by Afterall. Recent essays have been on Mariah Carey and the refusal of linear time; Scheherazade and “oblique parrhesia”; and the importance of cats in the art and antifascist activism of Claude Cahun and Marcel Moore.

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Three new articles on queer and anti-colonial plotting practices

Art & Spatial Praxis – The Art & Spatial Praxis research group is proud to announce the publication of three new articles featuring queer and anti-colonial perspectives on its Plot(ting) platform.

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The first eight contributions on the Plot(ting) platform

Art & Spatial Praxis – The research group Art & Spatial Praxis launched the digital artistic research platform Plot(ting) on April 17th 2024. Plot(ting) emerges as a publishing platform showcasing art, research, and spatial practices. Currently it harbors contributions by Flavia Pinheiro, Giulia Damiani, Francisca Khamis & Maia Gattás Vargas, Neeltje ten Westenend & Hanneke Stuit, Mariana Balvanera, Patricia de Vries, Amelia Groom, and Liza Prins. Here you can read in brief about the different contributions. Read more on the plotting website: plotting.rietveldsandberg.nl