Rietveld Sandberg Research
photo: Simon Pillaud
photo: Simon Pillaud
Laura Dubourjal
creative and production coordinator
Research group Art & Spatial Praxis

Laura Dubourjal is production assistant at Art & Spatial Praxis. She studied at the Audio-visual department (VAV) of the Gerrit Rietveld Academie (2018) and holds a master’s degree from the Dutch Art Institute at ArtEZ (2022). Her practice as a multidisciplinary visual artist and fashion designer explores different thematics of identity and performance. Having grown up in a family of actors, she often draws references from classical theater techniques by excavating fragments and examples of emotional memory, behavioral landscapes and visual fabulations. Her performative practice is currently developing towards interactive role playing methodologies and thinking through the form of the open rehearsal as a space to collectively and playfully reclaim.

Art & Spatial Praxis – On November 28, Müge Yılmaz gave her end of residency lecture and launched the first edition of the booklet series "Future Guide for the Salty Forager". Besides, we experienced a performative salt-resistant bite by the Brackish Collective. Katía Truijen and Radna Rumping from Loom, practice for cultural transformation, gave their start of residency lecture and introduced their research project "Rhine River Rehearsal – Reimagining a River." Take a look at the video and photos here.

Art & Spatial Praxis – The Climate Imaginaries at Sea festival took place from 19 April to 25 April 2024 in Amsterdam. An event for artistic and participatory research practices that speculate on possible futures in and around water. It was an exciting week with two exhibitions, an open studio day programme, the launch of the second issue of the Making Waves zine, a closing concert and more. In this article we look back on the festival and on the first year of the three artistic research studios of Climate Imaginaries at Sea.

Take a look at the photos from the Climate Imaginaries at Sea festival that took place from 19 April to 25 April 2024 in Amsterdam. An event for artistic and participatory research practices that speculate on possible futures in and around water. It was an exciting week with two exhibitions, an open studio day programme, the launch of the second issue of the Making Waves zine, a closing concert and more.

Art & Spatial Praxis – This is a video recording of the open studio day programme Studio Encounters on Water #2 of the Climate Imaginaries at Sea festival, at Perdu on 23 April 2024. With talks by Leanne Betasamosake Simpson, Mikki Stedler, Joy Brandsma, Janine Armin, Carlo De Gaetano, Femke Dekker (Loma Doom), Müge Yilmaz, Kim Spierenburg, Claudine Arendt, Katía Truijen & René Boer (Loom Collective) and Marialena Marouda.

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Art & Spatial Praxis – The Climate Imaginaries at Sea coalition is excited to invite you to our upcoming festival in Amsterdam. An event for artistic and participatory research practices that speculate possible futures in and around water. Join us for an exciting week-long exploration with two exhibitions, an open studio day programme, the launch of the second issue of the Making Waves zine, a closing concert and more. Take a look at the programme below and get your free tickets here: eventix.shop/kuaujj4j

Art & Spatial Praxis – Artists affiliated with Climate Imaginaries at Sea showcased their work as part of the Warming Up Art Route. This event was a segment of the annual "We Are Warming Up" festival, taking place at Tolhuistuin in Amsterdam from October 30th to November 5th.

Art & Spatial Praxis – In research publications, more often than not media production—be it audiovisual or any other form of artistic practice that isn’t writing—is still seen as somehow inferior; mere support material. A figure that accompanies the text, the main act, and that would fail to be considered as a form of research itself. Producing, distributing and consuming media is not about illustrating previously existing research or knowledge, but about doing things: working with media is actively doing research. In this sense, we should try and facilitate both tools and means for practitioners of this practice-based research, currently not or at least underrepresented in the publishing industries. To put it concisely: what is the role of publishing within practice-based research?

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05
oct '23
with a performative salt-resistant bite by the Brackish Collective

Art & Spatial Praxis – On Thursday October 5, we would like to welcome you to Müge Yilmaz’s lecture on salt and the effects of salinization on Earth. The Research Group Art & Spatial Praxis (LASP) has invited Yilmaz to partner on the Materiality research studio of the Climate Imaginaries at Sea project. During her lecture, Yilmaz will delve into one of the immediate consequences of rising sea levels and ground subsidence: saline water entering flows of sweet water and soil. Before her lecture, you can experience a performative salt-resistant bite by the Brackish Collective. Earlier that day, you also can attend a workshop by the Brackish Collective.

Art & Spatial Praxis – In the International exchange project WASALIWA two groups of artists and writers based in Fiji and Amsterdam came together to look at the ecological history and future of the Pacific Islands through a series of workshops.

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Art & Spatial Praxis – The coalition Climate Imaginaries at Sea invites you to Studio Encounters on Water, a two­ day event filled with workshops, presentations, talks and pod reading sessions where you can learn more about what we’ve done, where we are going and how you can be part of it.

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07
feb '23
Expanded Publishing for Practice-Based Research

Art & Spatial Praxis – In research publications, more often than not media production—be it audiovisual or any other form of artistic practice that isn’t writing—is still seen as somehow inferior; mere support material. A figure that accompanies the text, the main act, and that would fail to be considered as a form of research itself. Producing, distributing and consuming media is not about illustrating previously existing research or knowledge, but about doing things: working with media is actively doing research. In this sense, we should try and facilitate both tools and means for practitioners of this practice-based research, currently not or at least underrepresented in the publishing industries. To put it concisely: what is the role of publishing within practice-based research?