Rietveld Sandberg Research
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Linnea Langfjord Kristensen

Linnea Langfjord Kristensen (b.1991, DK) is a writer and artist working between performance and text, supported by (sceno)graphic elements, video and workshops. Her practice explores questions about reality, language and the dominant narratives, norms and values that affect everyday life, and the rippling effects this has on everything from mental health to the climate crisis - with special attention to the ways in which ideas of ‘the meaningful life’ are constructed through popularised narratives and embodied in everyday actions and desires.

Langfjord’s work has been shown and published nationally and internationally including Stedelijk Museum (Amsterdam), Cockpit Theatre (London), AI UK hosted by The Alan Turing Institute, Martin Asbæk Gallery, Live Art Denmark, Copenhagen Stage, Copenhagen Art Week and Theatre Får302 (Copenhagen). She has been an Associate Lecturer at Coventry University (UK) in Performance and Media, and her workshops have been run at the Gerrit Rietveld Academie (Amsterdam), Zentrum Fokus Forschung (Vienna) and The Royal College of Art (London). Currently she is the Communication Officer for The Society for Artistic Research and the Science Communication Coordinator for the EU funded COST Action “Artistic Intelligence”.

Art & Spatial Praxis – The Art and Spatial research group is delighted to share a series of videos, presented as the culmination of the ‘Tactics of the Plot’ working group. You can watch the video series below and on the research group’s Plot(ting) platform, available here: plotting.rietveldsandberg.nl/?page_id=1056

Art & Spatial Praxis – Between November 2024 and March 2025, the research group Plot(ting), part of the Lectoraat Art & Spatial Praxis, hosted Tactics of the Plot: Reimagining Tools and Methods for Resistance & Collective Futures. This project, a collaboration with the Institute of Network Cultures, brought together a diverse group of makers, researchers, activists, and those working across disciplines whose practices can be examined through Sylvia Wynter’s concept of the plot. Participants included Inte Gloerich, Elisa Guiliano, Wouter Stroet, Sepp Eckenhaussen, Mayis Rukel, and Lina Bravo Mora.